Four great books by Fr. Tom Hopko for free! Known as “The Rainbow Series”
are very basic and very good.
Four great books by Fr. Tom Hopko for free! Known as “The Rainbow Series”
are very basic and very good.
Creamation: A Message from St. Nikolai Velimirovic (1956)
You ask me, why is the Orthodox Church against cremation. First of all, because it considers it violent. The Serbs still shudder with the crime of Sinan Pasha, who burned the dead body of St. Sava on Vrachar.
Do people burn dead horses, dogs, cats and monkeys? I have not heard of this. I have heard of and seen them buried. Why should the dead bodies of people who are the lords of all animals on earth endure violence? Would it not be in all respects much more reasonable to incinerate dead animals, especially in big cities, than people?
Second, because this pagan and barbaric habit disappeared from Europe thanks to Christian civilization two thousand years ago. Anyone who wants to reinstate it doesn’t do anything else, neither civilized nor modern nor new, but something ancient which has long expired.
In England, which one can hardly call uncivilized, this form of Neopaganism is very much hated by the people. To tell you a case: during the years of World War II a famous Yugoslav lost his mind. When asked before he died, he said his only desire was to have his body burned.
Our little Yugoslavian community watched as this man was reduced in the incinerator of Golders Green. When the dead body entered the burning furnace we began to tremble with horror. Then they shouted to us on the opposite side of the furnace, “wait a quarter of an hour to see your compatriot in the form of ashes”. We waited over an hour and were mystified why the fire struggled with the dead body, and we asked the stoker about this. He apologized saying the furnace was cold, “it is not heated every day, since rarely do volunteers get handed over to the fire”. Listening to this we were dissolved, unable to wait at the edge for our compatriot. And we know that in London over a thousand human beings die every day.
I am in America, I saw the graves of the great Presidents Wilson, Roosevelt, Lincoln and many other important persons. None of them are cremated. Now this surprised me, that among the descendants of Saint Sava there could be found those who are like-minded with Sinan Pasha!
But why create an issue that has already been solved? If we want to be loaded with unnecessary worries, then someday we could be troubled by the question on whether to kill our decrepit men and women as do some primitive tribes? And we will create clubs to propagate this “idea”!
source: https://frmilovan.wordpress.com/2015/06/09/on-cremation/
Kh. Fredrica Mathewes-Green
Q. Is it robbing God to tithe on your after-tax (not gross) income?
A. My husband and I were in seminary and still newly-Christian when a friend told us about tithing. She stressed the importance of giving the full 10% before taxes, before anything else, so that we would be giving God the “first fruits” of our labor. We recoiled at the thought of such an unexpected expense, but she said that, in her experience, it had given God room to work miracles in her life; once she and her husband had put their last dollar in the plate, only to have the pastor turn around and give them the whole collection.
We began right away, and never even considered making our tithe an after-taxes thing. It seemed petty to make such calculations when giving to a God who gave us everything, including his Son.
Before long we had settled into a pattern of giving 5% to our local church and 5% to charity. But one year, when it was time to renew our annual pledge to the church, I was convicted that a radical increase was necessary. God says, “Bring the full tithes into the storehouse” (Mal. 3:10), and for us that “storehouse” must be the local church. So the full 10% should go to our church, while charitable giving, which the Bible distinguishes by the term of “alms,” was to be an additional offering.
When I tentatively began this conversation with my husband, we were both in for a surprise; he had separately come to the same conviction. We were of one mind, and the only problem was that we had just promised 5% of our income to a missionary. Overnight, we went from giving 10% of our income to 15%.
And yet we never suffered, then or over the following decades. We never went hungry. We saw God meet our needs over and over, in ways that bordered on the miraculous. People were always giving us things we needed but couldn’t afford: a sewing machine, a lawn mower, a new refrigerator. Back in those pre-computer days, you checked the total in your savings account by handing over your passbook and having the bank teller stamp it with the correct amount. More than once we found an unexplainable extra $50 appearing there.
As we approach retirement age, we are still giving 10% to the church, and over the years our total giving (including alms) has ranged from 15-20%. It has been a joy to go from receiving miraculous gifts to being able to help supply them to others. We found, like others before us, that once we determined to make our tithe the first payment each month, once this habit became routine, all our other expenses fell into place.
God uses strong language when he speaks of the necessity of tithing: “Will man rob God? Yet you are robbing me. But you say, ‘How are we robbing thee?’ In your tithes and offerings. You are cursed with a curse, for you are robbing me” (Mal 3:8-9 RSV). We live in a time that is offended by that strong directive language, and resents any implication that we ought to do or not do something. We regard ourselves as customers, even in church, and expect to be treated with deference, for the customer is always right. This kind of exhortation backfires. So perhaps the best I can say is: at least try. Aim to give a percentage of your income. Start with whatever percentage you give now, and raise it a little each year. In time you will reach the tithe. Then you will be giving as generously as the people of the bible, who lived in conditions we would see as abject poverty. Like them, pay God before you pay Caesar, for there is no better index of your priorities.
Frederica Mathewes-Green
Source: http://frederica.com/writings/open-question-tithing.html
Editor’s note: Today, we are pleased to present an article by Dr. John Yiannias, Professor Emeritus of Art History at the University of Virginia. Dr. Yiannias holds a Ph.D. in Early Christian and Byzantine Art from the University of Pittsburgh, and is a leading expert on Orthodox iconography. At the 2008 conference of the Orthodox Theological Society of America, Dr. Yiannias gave a lecture on iconography, and at the end of his talk, he offered the following addendum. He has kindly granted permission for us to publish it here at OrthodoxHistory.org. While, on the face of it, the subject may appear only tangentially relevant to American Orthodox history, it is actually rather relevant, in that the term “icon writing” is peculiar to American (or, at least, English-speaking) Orthodoxy, and may very likely have originated here in North America.
[Author’s disclaimer: I can’t claim for sure that the argument I give below is original. A few years ago I saw reference to an article that seemed intended to make the same point that I’m making, but I lost the reference and never actually saw the article. I’d appreciate learning of its contents and place of publication from anyone who may have read it.]
We’ve all heard, and many of us have used, the currently popular phrase “icon writing.” Whoever invented this expression must have noticed that in the Greek word eikonographiaand its Slavonic translation ikonopisanie the suffixes (graphí and pisánie) very often mean “writing.” Our inventor thereupon thought it a good idea to speak of “icon writing,” probably imagining that the sheer oddness of the phrase would attract more attention than the prosaic “icon painting”and also convey a greater sense of the sacredness of the act of producing an icon. Ever since, this tortured translation has stuck to the lips of just about every English-speaking Orthodox Christian who talks about icons.
However, the suffixes graphí and pisánie both mean depiction, as well as writing. The first–more to the point here than the Slavonic term, which was formed on the basis of the Greek–is related to the verb gráphein/grápho and means any representational delineation — such as when you write the letters of an alphabet, but also when you sketch, say, a portrait. The precise translation depends on the circumstances. For example, “geography” does not mean “earth writing,” but earth description, whether verbal or pictorial. “Scenography,” from the word skiní, meaning a shelter, by implication a tent, and by further implication one of canvas, means the painting or other illustration of a backdrop, on canvas or similar material, for a theatrical production (whence our words “scene”and “scenic”); it does not mean “scene writing.” Whether the delineation referred to is verbal or pictorial, graphíimplies circumscription, as when the Church says that God the Father is aperigraptos. That does not mean, obviously, that God the Father is “unwritable.” It means He is uncircumscribable, unbounded, undepictable, incomprehensible, unsusceptible to containment within the boundaries that we must impose on anything before we can comprehend or speak of it.
The habit of describing icons as “written” should therefore be dropped. Not only does the expression do violence to English and sound just plain silly, but it can introduce notions without basis in the Greek texts — such as, that an icon is essentially a representation of words, as opposed to a representation of things that words represent.
The theologically important fact that icons, which are pictorial, and Scripture, which is verbal, are nearly equivalent can be conveyed in other ways than by torturing English. It’s worth noting that in the Acts of the Seventh Ecumenical Council, the Greek word used for an icon painter is simply zográphos (in Slavonic, zhivopísets), meaning simply a depicter of life, or of forms taken from life: that the subjects depicted were religious was more or less assumed. It seems that when secular artists eventually gained higher social status than before, and zográphos could apply to them as well as to the makers of sacred representations, the term was superseded in Greek by the more specific agiográphos, or eikonográphos (in Slavonic, ikonopísets).
An icon is painted, pure and simple, or produced by some other technique, if made of enamel or ivory or whatever else. But it is not written, and never in the Church’s history until our day, no matter what the language used, has the Church said or implied that an icon is written. Let’s hope it isn’t too late to expunge the expression.
[This article was written by Dr. John Yiannias. Originally delivered as an addendum to a talk given at the Orthodox Theological Society in America meeting in Chicago, IL, June 13, 2008.]
source: http://orthodoxhistory.org/2010/06/08/icons-are-not-written/